JOOST SMIERS & MARIEKE VAN SCHIJNDEL. Imagining a world without copyright. Copyright once was a means to guarantee artists of a decent income. About Joost Smiers from the University of Chicago Press website. Bittere tranen, goede moed: er is meer aan de horizon dan Trump en dat is pas écht gevaarlijk. 11 May by Joost Smiers. Currently unavailable.

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It distorts cultural markets and pushes a wide variety of cultural expressions out of sight.

Joost Smiers

If the file has been modified from its original state, some details such as jooost timestamp may not fully reflect those of the original file. The following page uses this file: And even more important effect would be the restoration of our public domain of creativity and knowledge.

If we recognize that copyright is unfeasible, and unjustifiable, what should our response be?

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. Promoting Cultural Diversity in the Age of Globalization has been translated into ten languages.


Joost Smiers – Wikipedia

zmiers He lives in Amsterdam. This file has an extracted image: At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions. Institute of Network Cultures, Amsterdam This image was originally posted to Flickr.

Its license was verified as “cc-by Description With Joost Smiers. With Joost Smiers cropped.

Franco Iacomella Joost Smiers. She works in the cultural field in the Netherlands. From Wikimedia Commons, the free media repository.

Summary [ edit ] Description With Joost Smiers. Views View Edit History.

She lives in Utrecht. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. By using this site, you agree to the Terms of Use and Privacy Policy.

His Arts Under Pressure. Thus, let us imagine what abolishing copyright would accomplish, while we do not hesitate cutting cultural conglomerates into many pieces. This file is licensed under the Creative Commons Attribution 2. This page was last edited on 1 Juneat See the license information for further details.


Joost Smiers (Author of الفنون والآداب تحت ضغط العولمة)

The result is a level playing field in which many, and many more artists can make a decent living. Retrieved from ” https: The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

From the perspective of democracy and fair competition this type of market control is not to be tolerated. Immediately comes to mind that copyright provides an investment protection to blockbusters, best sellers and stars. Marieke van Schijndel is a cultural scientist and MBA graduate.